Donna Rhae Marder
Donna Rhae Marder
Snapshot Dress (for Catherine)
Sewn photographs, papers
Size 4
Private Collection
Donna Rhae Marder
Snapshot Dress (for Catherine)
Sewn photographs, papers
Size 4
Private Collection
Donna Rhae Marder
The Penultimate Dress (for Kathy)
Sewn paper, buttons, iridescent paint
Size 4
Private Collection
Donna Rhae Marder
The Penultimate Dress (for Kathy)
Sewn paper, buttons, iridescent paint
Size 4
Private Collection
Donna Rhae Marder
Twinings Dress (for Maddy)
Sewn teabag wrappers, buttons
Size 4
Private Collection
Donna Rhae Marder
Twinings Dress (for Maddy)
Sewn teabag wrappers, buttons
Size 4
Private Collection
Donna Rhae Marder
The Final Dress (for Jessica)
Sewn photographs, old buttons, various papers
Size 10
Artist's Collection
Donna Rhae Marder
100 GWs
Sewn currency, matches
15" diameter x 9.5" high
Private Collection
Donna Rhae Marder
100 GWs
Sewn currency, matches
15" diameter x 9.5" high
Private Collection
Donna Rhae Marder
English Irish Teapot
Sewn tea wrappers, fabric, wire
9" x 7" x 6.5"
Collection of the Fuller Craft Museum
Donna Rhae Marder
Carol & Chris Diptych
Sewn silk neckties
15" x 22" each
Private Collection
- IMAGES:
- /
Donna Rhae Marder
The Penultimate Dress (for Kathy)
Sewn paper, buttons, iridescent paint
Size 4
Donna Rhae Marder
The Penultimate Dress (for Kathy)
Sewn paper, buttons, iridescent paint
Size 4
Donna Rhae Marder
The Final Dress (for Jessica)
Sewn photographs, old buttons, various papers
Size 10
Donna Rhae Marder has been using domestic themes, materials and methods to create artwork for over twenty years. All of her work uses a sewing machine as a sculptural tool and the debris of daily life as the material of art. Marder refers to herself jokingly as an indigenous suburbanite trying to make use of native materials. The artist addresses conservation issues that arise from using found materials by testing and de-acidifying all of her papers.
Statement
I have been taking items of little value and turning it into cherished ritual objects. My husband and children have been supportive of my activity, if sometimes confused. My oldest daughter recalls going away to college and stopping herself before she asked a family where they put their used teabags. She recognized that not everyone saves their used teabags. At our house, they have been kept (sometimes for years) to become Japanese teapots and little girl’s dresses. The matches my parents saved became rya rugs and embellishment on moccasins. Later I accumulated my own matches to incorporate in vessels made of dollar bills. My life and work are Siamese twins—too late to separate them now.
Selected Collections
- Fuller Craft Museum, Brockton, MA
- Balzekas Museum of Lithuanian Culture, Chicago, IL
- Numerous private collections throughout the United States