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  REBECCA HANNON

  Doxie Bracelet (red, pink, black)

  laser-cut laminate

  5” x 5” x 1”

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  REBECCA HANNON

  Large Black Bowtie Neckpiece

  laser-cut laminate, cable

  16” x 8” x 1”

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  REBECCA HANNON

  Swirl Earrings

  Laser-cut laminate, silver, cable

  4” x 2” x 1/8”

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• REBECCA HANNON

  White and Black Tapered Round Crown-of-Thorns

  Laser-cut laminate, cable, magnetic

  13” x 12” x 2”

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• REBECCA HANNON

  White and Black Tapered Round Crown-of-Thorns (alternate view)

  Laser-cut laminate, cable, magnetic

  13” x 12” x 2”

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• REBECCA HANNON

  Vitamin D Neckpiece

  Laser-cut laminate glued together, hidden nylon/steel cable and steel rod

  15” x 9” x 1/8”

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• REBECCA HANNON

  Long Crown of Thorns Neckpiece (Fall Colors)

  Laser-cut laminate, slotted together

  26” x 6” x 3”

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• REBECCA HANNON

  Long Crown of Thorns Neckpiece (Fall Colors)

  Laser-cut laminate, slotted together

  26” x 6” x 3”

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• REBECCA HANNON

  Crown of Thorns Bracelet

  Laser-cut laminate, silver

  6” x 4.5” x 1/8”

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• REBECCA HANNON

  Crown of Thorns Bracelet (on model)

  Laser-cut laminate, silver

  6” x 4.5” x 1/8”

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• REBECCA HANNON

  Crown of Thorns Bracelet (on model)

  Laser-cut laminate, silver

  6” x 4.5” x 1/8”

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• REBECCA HANNON

  Fidget Spinner Neckpiece

  Laser-cut laminate, cable

  4” x 1.5” x 1.5”

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• REBECCA HANNON

  Double Crown of Thorns (opposite side)

  Neckpiece. Laser-cut laminate, slotted together

  9“ x 9 “ x 1/8”

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• REBECCA HANNON

  Double Crown of Thorns

  Neckpiece. Laser-cut laminate, slotted together

  9“ x 9 “ x 1/8”

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• REBECCA HANNON

  Cascade Studs

  Laminate, sterling silver. Sizes vary. 

  1” x 1” x 1/8”

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• REBECCA HANNON

  Cascade Stud Earrings (detail)

  Laser-cut laminate, silver

  1” x 1” x 1/8”

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• REBECCA HANNON

  Black Silhouettes Neckpiece

  Laser-cut laminate, cable

  21” x 8” x 1/8”

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• REBECCA HANNON

  Long Neckpiece (Multicolor)

  Laminate, cable

  30’ x 18” x 1/8”

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• REBECCA HANNON

  Harlequin Neckpiece

  Laser-cut laminate, hidden nylon/steel cable

  26” x 11” x 1/8”

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• REBECCA HANNON

  White Round Tapered Crown-of-Thorns Neckpiece

  Laser-cut laminate, slotted together

  22” x 8” 2”

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• REBECCA HANNON

  Bloomers Neckpiece

  Laser-cut laminate, cable

  15” x 10” x 1/8”

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• REBECCA HANNON

  Platonic Solids Neckpiece

  Collaboration with Nick Rosin. Hand engraved laminate, silver.

  14” x 10” x 1/8”

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• REBECCA HANNON

  Round Tapered Crown of Thorns Neckpiece (Multicolor)

  laser-cut laminate, slotted together

  22” x 8” x 3”

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• REBECCA HANNON

  Round Tapered Crown of Thorns Neckpiece (Multicolor)

  laser-cut laminate, slotted together

  22” x 8” x 3”

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• REBECCA HANNON

  Cascade (front and back)

  Neckpiece. Laminate, Sterling Silver, cable. Reversible.

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• REBECCA HANNON

  Chignon Cover

  Laminate, Sterling Silver, aluminum. 

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• REBECCA HANNON

  Chignon Cover

  Laminate, Sterling Silver, aluminum. 

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• REBECCA HANNON

  Pinwheel

  Neckpiece. Laminate,Sterling Silver, cable.

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• REBECCA HANNON

  Swirl

  Neckpiece. Laminate, Sterling Silver, cable.

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• REBECCA HANNON

  A Delicate Balance

  Neckpiece. Laminate, Hardwoods, Sterling Silver, cable.

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• REBECCA HANNON

  RED TAPERED CROWN OF THORNS NECKPIECE

  Laminate, sterling silver

  13" x 12" x 2"

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• REBECCA HANNON

  Laminate, sterling silver

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• REBECCA HANNON

  Laminate, sterling silver

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• REBECCA HANNON

  "CONCEAL OR REVEAL?”

  Gallery Installation photo

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• REBECCA HANNON

  "CONCEAL OR REVEAL?”

  Gallery Installation photo

  Inquire

• REBECCA HANNON

  "CONCEAL OR REVEAL?”

  Gallery Installation photo

  Inquire

• REBECCA HANNON

  "CONCEAL OR REVEAL?”

  Gallery Installation photo

  Inquire

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Rebecca Hannon creates colorful, sculptural necklaces in complex interlocking forms. This new series in inspired by folk art picture frames. Models are first made in cardboard and then transformed in formica.

A graduate of Rhode Island School of Design, Hannon worked as a goldsmith for five years in New York City before attending the Akademie der Bildenden Kuenste in Munich, Germany on a Fulbright scholarship. Five years later she returned to North America and currently teaches, lectures and has her own workshop.

Her work can be found in public and private collections internationally. In her work, she strives to create evocative objects that double as fine souvenirs. Place and time are documented through the process of making. A fleeting memory, a lost bauble or an everyday object are refashioned to create a small celebratory ornament.
Statement

The perception of pattern on form is the focus of my current work. A historical system of protective ship coloration called “Dazzle Camouflage” inspires my recent line of inquiry. Dazzle Camouflage was used on WWI warships, and never sought to conceal as a traditional camouflage pattern would, rather to confuse. The angular forms painted on a hull represented a 2D flattened ship, with a heightened perspective, that gave the appearance of traveling in a different direction. Dazzle caused “visual disruption” and confused estimates of speed and direction (necessary for launching a torpedo.)

My current research is called “Contemporary Camouflage” and asks questions of how we conceal or reveal ourselves, as is often the case in the animal kingdom. (Coloration and mimicry in nature influenced early ideas about camouflaging in the theatre of war). My adornment can fade into the stripey blouse you are wearing, or jump out like a rosy wine stain. Choices made about signs and symbols give insight into our true selves. The work I make embodies a hope that it will journey into the world, to set a small fleet of wearers adrift with a sense of joy and possibilities for the future.